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Article

September 30, 2023

The Design and Characteristics of White Porcelain Vessels for Royal Marriage Ceremonies in Late Chosŏn: porcelain jar with dragon design in underglaze cobalt blue with inscription of chŏnjiugimssijason(傳之于金氏子孫) at the British Museum

Hyein Koo

Korean J Art Hist. 2023;319:5-43.

The aim of this study is to analyze the designs of chujun(rice wine jar) and hwajun(flower vase), white porcelain vessels used in Chosŏn’s royal marriage ceremonies, and to identify how...

Article

September 30, 2023

Developments in Chosŏn White Porcelain with 祭 Inscription: focus on excavations at royal kilns

Gyeong-jung Kim

Korean J Art Hist. 2023;319:45-78.

White porcelain with 祭(che, ritual), 壽(su, longevity), or 福(pok, good fortune) inscriptions made in Chosŏn royal kilns vary in when and how the letters were written, according their prouction date....

Article

September 30, 2023

Aspects of the Excavation of White Porcelain with the Inscription ‘天·地·玄·黃’ and the first half of the Chosŏn Dynasty Blue and White Porcelain in the Capital City Hanyang

Jungmin Park

Korean J Art Hist. 2023;319:79-111.

The royal kilns in Kwangju, Kyŏnggi-do, produced a large number of white porcelain every year to provided them to the palace and government offices in Hanyang, the capital city of...

Article

September 30, 2023

Polychrome and Monochrome Porcelain: The emergence and development of new type of colored white porcelain in late Chosŏn

Eun-Kyoung Kim

Korean J Art Hist. 2023;319:113-144.

Two novel types of colored porcelain appeared in late Chosŏn: polychrome porcelain that was decorated with two or more colors, and monochrome porcelain colored all-over with a single color, as...

Article

September 30, 2023

Collecting and Researching Chosŏn White Porcelain in Modern Japan: focusing on the late 1920s

Eunjin Jeong

Korean J Art Hist. 2023;319:145-172.

The study of Korean ceramics in the modern period was initiated by the discovery of Koryŏ celadon. The first collectors were mainly Europeans and Americans but it was not long...

Article

September 30, 2023

Four Heavenly Kings at Hwaŏmsa, Gurye: Pyŏgam Kaksŏng and Sculptor Monk In’gyun

Young-ae Lim

Korean J Art Hist. 2023;319:173-200.

This study focuses on the sculptures of the Four Heavenly Kings at Hwaŏmsa. It had been unknown when or by whom they were made, but fortunately, I was able to...

Article

September 30, 2023

Historical Origin and Evolution of Late-Joseon Perceptions on the Miraculous Perspiration of Buddhist Statues

Youn-mi Kim

Korean J Art Hist. 2023;319:201-237.

This paper analyses historical documents from ancient China through to Korea’s Chosŏn Dynasty, seeking to understand why the Veritable Records of the Chosŏn Dynasty predominantly documented instances of perspiration in...

Article

September 30, 2023

The Chosŏn Iconography of Thunder God in the Illustrated Guide to Moral Deeds

Ji-young Park

Korean J Art Hist. 2023;319:239-271.

This article explores the origin of the Thunder God image and its iconographical features that appear in the Exempla of Filial Sons in the Illustrated Guide to the Three Bonds...

Article

September 30, 2023

Relocation of Royal Tombs and Stone Sculptures in 19^th-century Chosŏn

Nana Jeon

Korean J Art Hist. 2023;319:273-305.

Kukchosogoryeŭi, the book of protocols for the late Chosŏn royal court, lists some rituals that have changed since early years of the dynasty. Ch’ŏnjangŭi, the process of relocating tombs is...

Current Issue: Volume 319; Sep 2023

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