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Article

June 30, 2026


Regional Circulation and Maritime Trade Routes of Chinese Ceramics in Koryŏ Korea (918-1392)
Yun-jeong Kim
Korean J Art Hist. 2026;330:5-41.

Article

June 30, 2026


From the Imagery of Reclusion to the Representation of Political Authority: The Transformation of Kiyŏnghoedo (耆英會圖) from Late Koryŏ to Early Chosŏn
Yoojeong Lee
Korean J Art Hist. 2026;330:43-72.

Article

June 30, 2026


Constructing Political Authority in Court Banquet Paintings: Musin Chinch’ando (1848) in the Reign of King Hŏnjŏng
Jaebin Yoo
Korean J Art Hist. 2026;330:73-103.

Article

June 30, 2026


The Scholarly Basis and Artistic Characteristics of Wich’ang O Se-Ch’ang’s Seal Carvings
In-geun Soung
Korean J Art Hist. 2026;330:105-129.

Article

June 30, 2026


O Se-ch’ang and the Collecting of Joseon Painting and Calligraphy in Colonial Korea: Focusing on the Collections of Pak Yŏng-ch’ŏl and Chŏn Hyŏng-p’il
Kyunghwa Lee
Korean J Art Hist. 2026;330:131-165.

Article

June 30, 2026


The Collection and Utilization of Korean Ceramics by the Yi Royal Household Museum: Focusing on the Colonial Nature of the Reproduction Ceramics Industry During the Japanese Colonial Period
Nam-Eon Jeon
Korean J Art Hist. 2026;330:167-198.

Article

June 30, 2026


The Iconographic Features and Significance of the Hand-colored Woodblock Print Tejaprabhā Buddha Subduing the Nine Luminaries and Twenty-Eight Lunar Mansions from the Yingxian Timber Pagoda, Liao Dynasty
Suh-Young SUNG
Korean J Art Hist. 2026;330:199-238.

Article

June 30, 2026


The Madonna Attributed to Tang Yin: A Cross-Cultural Interpretation of a “Suzhou Pian”
Yongfeng Liang, Haiyan Liu, Haengcheol Lee
Korean J Art Hist. 2026;330:239-265.
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