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Article

June 30, 2022

A Study on the Establishment and Characteristics of Buddhist Monuments at Mt. Namsan in Gyeongju

Dongha Kim

Korean J Art Hist. 2022;314:5-40.

It is reported that there are about 150 Buddhist Monuments in Namsan, Gyeongju. The Buddhist Monuments in Namsan mountain began to be constructed from the north of the mountain, which...

Article

June 30, 2022

Engraving of Avataṃsaka Sutra Woodblock Translated by Buddhabhadra and It’s Succession in Haeinsa(海印寺)

Eunjae Shin

Korean J Art Hist. 2022;314:41-65.

This paper analyzes the characteristics of the so-called "Suchangpan" and it’s succession. In Haeinsa, there remains the wood block, “Suchangpan” made in 1098. The hinge wasn’t used in “Suchangpan”, there...

Article

June 30, 2022

Queen’s Tombs Made Earlier than King’s and Changes of the Royal Tomb System in the Joseon Dynasty

Yisoon Kim

Korean J Art Hist. 2022;314:67-96.

The Joseon royal tombs exhibit remarkable consistencies as they were modeled on precedents stipulated by the convention of “upholding the achievements of the forefathers” (gye ji sul sa 繼志述事). That...

Article

June 30, 2022

An Iconographic study on the Portraits of Samyeong Yujeong

Ju-young Park

Korean J Art Hist. 2022;314:97-133.

This thesis is a study on the lconic features and changing process of portraits of Samyeong Yujeong in the late Joseon Dynasty. Samyeong Yujeong is the best disciple of Cheonghe...

Article

June 30, 2022

On the Presentation of Artistic Conception in Ancient Chinese Ink Painting

Jianmin Zhang

Korean J Art Hist. 2022;314:135-156.

As an integral part of the Chinese tradition, ancient Chinese ink culture has its own independent framework. The ink painting has its ideological foundation upon this ink culture, and its...

Current Issue: Volume 314; Jun 2022

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