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Article

September 30, 2024

Gendering a Bodhisattva: Images of Avalokiteshvara in Medieval and Early Modern Korea

Soyeon Shin

Korean J Art Hist. 2024;323:5-36.

Avalokiteshvara images in Korea, while adhering to traditional Buddhist artistic conventions, exhibit a different approach to gender than their Chinese counterparts, where the feminization of Avalokiteshvara is more explicitly evident....

Article

September 30, 2024

The Representation of Women in Kamnodo of the Chosŏn Dynasty and Its Significance

Myounghee Jeong

Korean J Art Hist. 2024;323:37-68.

In the Buddhist paintings known as Nectar Ritual Painting (Kamnodo 甘露圖), which depicts the ritual of food offering (sesik 施食) for hungry ghosts (agwi 餓鬼), there are various representations of...

Article

September 30, 2024

Zeolite Stone Buddha Sculptures (pulsŏkche) in the Kyŏngsang Province during the Late Chosŏn Dynasty: Production and Transportation

Daeho Yoo

Korean J Art Hist. 2024;323:69-95.

The rising popularity of zeolite stone Buddhist sculptures (pulsŏkche) during the late Chosŏn Dynasty meant that temples and monk-artisans encountered new challenges. The material properties of stone, difficult to transport...

Article

September 30, 2024

Royal Ceremonies at Kyŏngbok Palace During the Reign of King Yŏngjo and Their Representations in Court Ceremony Paintings

Jaebin Yoo

Korean J Art Hist. 2024;323:97-128.

This study analyzes three court ceremony paintings to reconstruct the perceptions of King Yŏngjo and the participants in ceremonies held at Kyŏngbok Palace, during his reign. King Yŏngjo repurposed Kyŏngbok...

Article

September 30, 2024

Analysis of Nogunt'an (Emerald Cloud Pool) from Chŏng Sŏn’s Album of Views in the Capital Region (Kyŏnggyo myŏngsŭng ch'ŏp) Using Virtual Reality Analysis Tool

Intae Hwang

Korean J Art Hist. 2024;323:129-160.

The Scenic Views of Kyŏnggyo (Kyŏnggyo myŏngsŭng ch'ŏp 京郊名勝帖) is a two-volume album of poetry and paintings in 1740 by Chŏng Sŏn (sobriquet: Kyŏmjae) during his time serving as magistrate...

Article

September 30, 2024

The Administration of the Chinwangbu System during the Korean Empire and Imperial Prince Yŏng’s Productions of Calligraphy and Painting

Jung-yon Hwang

Korean J Art Hist. 2024;323:161-188.

This paper examines how the newly introduced Imperial Prince System (ch'inwangje 親王制) and the management of the Imperial Prince’s Bureau (ch'inwangbu 親王府) in the Korean Empire shaped the early education...

Article

September 30, 2024

A Critical Review of Su Shi’s Inland True-Portrait from Nanxun Hall: Examining Fa Shishan, Wang Wengao, and their Claims

Woollim Kim

Korean J Art Hist. 2024;323:189-212.

This paper traces the development of the theory surrounding the Nanxun Hall 南薰殿, which became a widely accepted orthodoxy in East Asia during the eighteenth and nineteenth centuries, within the...

Article

September 30, 2024

Digital Archives of Buddhist Cultural Heritage on the Eastern Silk Road: Status and Utilization in Dunhuang, Turfan, and Kucha

Jungmin Ha

Korean J Art Hist. 2024;323:213-243.

The advancement of digital humanities in the 21st century has significantly enhanced the importance of digital archives in Buddhist art research. The digitization of the extensive and geographically diverse Buddhist...

Current Issue: Volume 323; Sep 2024

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