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Article

March 31, 2022

The Production of Blue and White Porcelain with Bi-Shaped Bottom at the End of the Ming Dynasty and Its Influence on White Porcelain of Royal Kiln in the 17^th Century of Joseon Dynasty

JungMin Park

Korean J Art Hist. 2022;313:5-34.

The shape and size of the bowl vary depending on the region and the times. A bowl used every day does not change its shape significantly. Over time, the detailed...

Article

March 31, 2022

Puppy Love: The Legacy of Yi Am’s Paintings in Edo-Period Japan

Yukio Lippit

Korean J Art Hist. 2022;313:35-57.

This essay examines the Japanese reception of the Korean painter Yi Am 李巌(b. 1499), and by extension considers the relationship between ink painting technique and pictorial meaning. In particular, it...

Article

March 31, 2022

Composition and Application of the “Chilbo Pattern” on Blue and White Porcelain of the Late Joseon Period

daran Lee

Korean J Art Hist. 2022;313:59-90.

What is called the “Chilbo” pattern consists of multiple motifs that bear traditional values of auspiciousness, rarity, or preciousness. Although the well-ordered, complex design enjoyed great favor in the production...

Article

March 31, 2022

The Acceptance patterns and meanings of polygonal bottle of the Qing Dynasty seen in Joseon white porcelain in the 19th century

Eun-Kyoung Kim

Korean J Art Hist. 2022;313:91-119.

This polyhedron white porcelain, which suddenly appeared in the 19th century, is a new form that deviates from the tradition of making white porcelain in Joseon. This study paid attention...

Article

March 31, 2022

Ming and Qing Dynasty ‘Hundred Antiques(bógǔ)’ Export Ceramics for the European Market in the Seventeenth and Eighteenth Centuries

Juhye Shin

Korean J Art Hist. 2022;313:121-154.

This paper aims to examine the aspects of a particular design that appears on Chinese export porcelain produced for the European market in the seventeenth and eighteenth centuries of the...

Current Issue: Volume 313; Mar 2022

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