『三才圖會』 卷1, 「地理」 卷9.
黃城, 『髹飾錄』.
British Library, IOR/G/40/23, ff 78-80.
British Library, IOR/G/12/30, 10 Dec 1730.
김홍남, 「중국 <郭子儀祝壽圖> 연구」, 『미술사논단』 33, 2011.
김현지, 「한국과 중국 鳳凰圖의 도상과 상징 연구」, 『미술사연구』 26, 2012.
미셸 뵈르들리, 김삼대자 역, 『중국의 가구와 실내장식』, 도암기획, 1996.
미야자키 마사카쓰, 『바다의 세계』, 선인, 2017.
박도래, 「청대 강희-건륭 연간 지방지 삽도의 실경산수판화에 대한 소고」, 『한국고지도연구』 1, 2009.
박정애, 「17~18세기 중국 山水版畵의 형성과 그 영향」, 『정신문화연구』 31, 2008.
신상철, 「미술 시장과 새로운 취향의 형성 관계-18세기 로코코 미술에 나타난 쉬느와즈리(Chinoiserie) 양식」, 『미술사학』 25, 2011.
아사다 미노루, 이하준 역, 『거대 상업제국의 흥망사 동인도회사』, 파피에, 1989.
정원지, 「명대 신선극 연구-원대 신선도화극과 비교를 중심으로」, 『중국인문과학』 14, 1995.
주경철, 『대항해 시대』, 서울대학교출판부, 2008.
하네다 마사시, 이수열, 구지영 역, 『동인도회사와 아시아의 바다』, 선인, 2012.
, 『17~18세기 아시아 해항도시의 문화교섭』, 선인, 2012.
한정희, 「동아시아에 전래된 서양화법의 원류와 양상: 기독교 주제의 작품을 중심으로」, 『미술사연구』 29, 2015.
呂濟民 主編, 『中國傳世文物收藏鑒賞全書. 漆器』, 線裝書局, 2006.
長北, 『《髹飾録》 與東亞漆藝: 傅統髹飾體系研究』, 人民美術出版社, 2014.
周功鑫, 『清康熙前期款彩 “漢宮春曉” 漆屏風與中國漆工藝之西傳』, 臺北故宮博物院, 1995.
朱穎, 「金華市博物館館藏清款彩漆屏風藝術價值初探」, 『中國生漆』 2期, 2017.
徐大珍, 「清早期款彩 “漢宮春曉” 漆屏風與徽州漆藝研究」, 『文物天地』 9期, 2017.
陳陽, 「中國財稅博物館收藏的清早期款彩祝壽屏風」, 『東方博物』 1期, 2013.
聶菲, 「百鳥向西飛: 中國款彩漆屏風的西傳—從德國穆恩斯特漆藝博物館展品清康熙黑漆款彩 “百鳥朝鳳” 圖十二牒屏風談起」, 『廣州文博』 1期, 2017.
Adams, Janet Woodbury. Decorative Folding Screen the West from 1600 to the Present Day, London: Thames & Hudson, 1982.
Berliner, Nancy Zeng. Beyond the Screen: Chinese Furniture of the 16th and 17th centuries, Boston: Museum of Fine Arts, 1996.
Brugier, Nicole. Les laques de Coromandel, Paris: La Bibliothèque des Arts, 2015.
Bruijn, Emile de, Andrew Bush and Helen Clifford, Chinese Wallpaper in National Trust Houses, Swindon: National Trust Enterprises, 2014.
Campen, Jan Van. “‘Reduced to Heap of Monstruous Shiver and Splinters’; some Notes on Coromandel Lacquer in Europe in the 17th and 18th Centuries”,The Rijksmuseum Bulletin 57 (2009): 136-42.
Canepa, Teresa. Silk, Porcelain and Lacquer: China and Japan and their Trade with Western Europe and the New World, 1500-1644, London: Paul Holberton Publishing, 2016.
Crossman, Carl L. The Decorative Arts of the China Trade: Paintings, Furnishings and Exotic Curiosities, Woodbridge: Antique Collectors’ Club. 1991.
Dart, Robert Paul. “A Twelve-Fold ‘Coromandel’ Lacquer Screen: Chinese, Seventeenth Century”, Bulletin of the Museum of Fine Arts 43, no. 251 (1945): 4-9.
Horny, Joan. Chinese Lacquerware in the National Museum of Denmark, Copenhagen: University Press of Southern Denmark, 2012.
Jackson, Anna and Amin Jaffer, eds. Encounters: the Meeting of Asia and Europe, 1500-1800, London: Victoria and Albert, 2004.
Jarry, Madeleine. Chinoiserie: Chinese Influence on European Decorative Art, 17th and 18th century, New York: Vendome Press, 1981.
Jourdain, Margaret and R. Soame Jenyns. Chinese Export Art in the Eighteenth Century, Middlesex: Spring Books, 1967.
Kesel, W. De and Greet Dhont.Coromandel Lacquer Screen, Gent: Art Media Resources, 2002.
Kisluk-Grosheide, Daniëlle O. “The (Ab)Use of Export Lacquer in Europe”, East Asian and European Lacquer Techniques, (2000): 27-42.
Kopplin, Monika, eds. Lacquerware in Asia, Today and Yesterday, Paris: UNESCO, 2002.
Sargentson, Carolyn. Merchants and Luxury Market: the Marchands Mercier of Eighteenth-Century Paris, London: Victoria and Albert Museum, 1996.
Sloboda, Stacey. Chinoiserie: Commerce and Critical Ornament in Eighteenth-century Britain. Manchester: Manchester University Press. 2014.
Stalker, John and George Parker. A Treatise of Japanning and Varnishing, London: Tiranti, 1688.
British Library, IOR/G/12/30, 10 Dec 1730.
British Library, IOR/G/40/23, ff 78-80.
Sancaituhui.
Asada minoru.Kŏtae sangŏp chekukŭi hŭngmangsa tongintohoesa, Sŏ-ul: P’ap’ie, 1989.
Beurdeley, Michel, Kimsamtaecha trans.Chungkukŭi kakuwa silnae changsik, Sŏ-ul: Toam kihoek, 1996.
Chŏng, Wŏnchi. “Myŏngtae sinsŏnkŭk yŏnku: wŏntae sinsŏn tohwakŭkkwa pikyolŭl chungsimŭlo”, Chungguginmun’gwahak 14, (1995): 655-686.
Chu, Kyŏngch’ŏl (Jou, Kyung Chul).Taehanghae sitae, Sŏ-ul: Sŏul taehakkyo ch’ulp’anpu, 2008.
Haneda masashi.Tongintohoesawa asiaŭi pata, Sŏ-ul: Sŏn-in, 2012.
. 17~18seki asia haehangtosiŭi munhwa kyosŏp, Sŏ-ul: Sŏn-in, 2012.
Han, Chŏnghŭi (Han, Junghee). “Tongasiae chŏnlaetoen sŏyang hwapŏpŭi wŏnlyuwa yangsang: kitokkyo chucheŭi chakp’umŭl chungsimŭlo [The origins and characteristics of Western painting techniques introduced to East Asia: A study focusing on Christian-themed works]”,Misulsayŏnku 29, (2015): 233-256.
Kim, hongnam. “Chungkuk kwakchaŭi ch’uksuto yŏnku [A Study on the Painting of Birthday-Celebration of Guo Ziyi of China Origin and development]”,Misulsanontan 33 (2011): 186-202.
Kim, Hyŏnchi (Kim, Hyunji). “Hankukkwa chungkuk ponghwangtoŭi tosangkwa sangching yŏnku [A study of iconography and symbolism in Chinese and Korean phoenix pictures]”,Misulsayŏnku 26 (2012): 15-51.
Miyachak’i masak’assŭ. Pataŭi sekyesa, Sŏ-ul: Sŏn-in, 2017.
Pak, Torae (Park, Dorae). “Ch’ŏngtae kanghŭi-kŏnlyung yŏnkan chipangchi saptoŭi silkyŏngsansu p’anhwae taehan soko [Woodblock Prints of Real Scenery Landscape in Chinese Local Gazettes during the Kangxi to the Qianlong Reign in the Qing Dynasty]”,Hankukkochito yŏnku 5, (2009): 55-66. Pak, Chŏngae (Park, Jeong-ae). “17~18seki chungkuk sansu p’anhwa hyŏngsŏngkwa kŭ yŏnghyang [Formation and Influence of Woodblock Prints of Real-view Landscape of China during the 17th and 18th Centuries]”, Chŏngsin munhwa yŏnku 31 (2008): 131-162.
Sin, Sangch’ŏl (Shin, Sangchel). “Misul sichangkwa saeloun ch’wihyangŭi hyŏngsŏng kwankye-18seki lok’ok’o misule nat’anan swinŭwachŭli(Chinoiserie) yangsik [The Relationship Between the Art Market and the Formation of Taste: On the Chinoiserie in Eighteenth-Century Rococo Art]”,Misulsahak 25 (2011): 155-180.
Chen, yang. “Zhongguo caishui bowuguan shoucang de qing zaoqi kuancai zhushou pingfeng”, Dongfang bowu 1, (2013).
Lu, jimin. Zhongguo chuanshi wenwu shoucang jianshang quanshu, Beijing: Xianzhuang shuju, 2006.
Nie, Fei. “Bainiaoxiangxifei: Zhongguo kuancai qipingfeng de xichuan-cong deguo muensi te qiyi bowuguan zhanpin qing kangxi heiqikuancai’ bainiaochaofeng’ tushierdie pingfeng tan qi”,Guangzhou wenbo 1, (2017).
Zhang, bei. ‘Xiushilu’ yu dongya qi yi: futongxiu shi tixi yanjiu, Beijing: Renmin meishu chuban she, 2014.
Zhou, gongxin. Qing kangxi qianqí kuancai “hangong chunxiao” qipíngfeng yu zhongguo qigongyi zhi xi chuan, Taiwan: Taibei gugong bowuyuan, 1995.
Zhu, Ying 朱穎. “Jīnhua shi bowuguan guancang qing kuancai qi pingfeng yishu jiazhi chutan”, Zhongguo shengqi 36, 2 (2017): 5-10.
Xu, dazhen 徐大珍. “Qing zaoqi kuancai ‘han gong chunxiao’ qipíngfeng yu huizhou qi yi yanjiu”, Wenwu tiandi 9 (2017): 82-86.
Adams, Janet Woodbury. Decorative Folding Screen the West from 1600 to the Present Day, London: Thames & Hudson, 1982.
Berliner, Nancy Zeng. Beyond the Screen: Chinese Furniture of the 16th and 17th centuries, Boston: Museum of Fine Arts, 1996.
Brugier, Nicole. Les laques de Coromandel, Paris: La Bibliothèque des Arts, 2015.
Bruijn, Emile de, Andrew Bush and Helen Clifford. Chinese Wallpaper in National Trust Houses, Swindon: National Trust Enterprises, 2014.
Campen, Jan Van. “‘Reduced to Heap of Monstruous Shiver and Splinters’; some Notes on Coromandel Lacquer in Europe in the 17th and 18th Centuries”,The Rijksmuseum Bulletin 57 (2009): 136-42.
Canepa, Teresa. Silk, Porcelain and Lacquer: China and Japan and their Trade with Western Europe and the New World, 1500-1644, London: Paul Holberton Publishing, 2016.
Crossman, Carl L. The Decorative Arts of the China Trade: Paintings, Furnishings and Exotic Curiosities, Woodbridge: Antique Collectors’ Club. 1991.
Dart, Robert Paul. “A Twelve-Fold ‘Coromandel’ Lacquer Screen: Chinese, Seventeenth Century”, Bulletin of the Museum of Fine Arts 43, no. 251 (1945): 4-9.
Horny, Joan. Chinese Lacquerware in the National Museum of Denmark, Copenhagen: University Press of Southern Denmark, 2012.
Jackson, Anna and Amin Jaffer, eds. Encounters: the Meeting of Asia and Europe, 1500-1800, London: Victoria and Albert, 2004.
Jarry, Madeleine. Chinoiserie: Chinese Influence on European Decorative Art, 17th and 18th century, New York: Vendome Press, 1981.
Jourdain, Margaret and R. Soame Jenyns. Chinese Export Art in the Eighteenth Century, Middlesex: Spring Books, 1967.
Kesel, W. De and Greet Dhont.Coromandel Lacquer Screen, Gent: Art Media Resources, 2002.
Kisluk-Grosheide, Daniëlle O. “The (Ab)Use of Export Lacquer in Europe”, East Asian and European Lacquer Techniques, (2000): 27-42.
Kopplin, Monika, eds. Lacquerware in Asia, Today and Yesterday, Paris: UNESCO, 2002.
Sargentson, Carolyn. Merchants and Luxury Market: the Marchands Mercier of Eighteenth-Century Paris, London: Victoria and Albert Museum, 1996.
Sloboda, Stacey. Chinoiserie: Commerce and Critical Ornament in Eighteenth-century Britain. Manchester: Manchester University Press. 2014.
Stalker, John and George Parker. A Treatise of Japanning and Varnishing, London: Tiranti, 1688.