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| Ch'o, Eŭngch’ŏn (Choi Eung-chon) ). Han’guk ŭi pŏmjong: ch'ŏnnyŏn ŭl iŏon kkaeuch'im ŭi sori [Korean Buddhist Bell, Beomjong: The Enlightenment Resonating for Thousand Years]. Seoul: Mijinsa, 2022. 584 pages. |
| Gwang Bae Lee |
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Korean J Art Hist. 2022;314:161-162. Published online June 30, 2022 DOI: https://doi.org/10.31065/kjah.314.202206.008 |
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Ch'o, Eŭngch’ŏn (Choi Eung-chon) ). Han’guk ŭi pŏmjong: ch'ŏnnyŏn ŭl iŏon kkaeuch'im ŭi sori [Korean Buddhist Bell, Beomjong: The Enlightenment Resonating for Thousand Years]. Seoul: Mijinsa, 2022. 584 pages. Korean Journal of Art History. 2022;314:161-162  Yun, Chinyŏng (Yun Chin-yong). Minhwa ŭi sidae, minhwa wa kungjung hoehwa ŭi kyŏnggye e kwanhan chomang [The Age of Korean Folk Paintings: An Exploration of the Boundary between the Korean Folk Painting and the Josŏn Court Painting]. Seoul: Tijainmim, 2021. 528 pages. Korean Journal of Art History. 2022;314:157-158 |
