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The Production of Blue and White Porcelain with Bi-Shaped Bottom at the End of the Ming Dynasty and Its Influence on White Porcelain of Royal Kiln in the 17th Century of Joseon Dynasty |
JungMin Park |
Korean J Art Hist. 2022;313:5-34. Published online March 31, 2022 DOI: https://doi.org/10.31065/kjah.313.202203.001 |
The Production of Blue and White Porcelain with Bi-Shaped Bottom at the End of the Ming Dynasty and Its Influence on White Porcelain of Royal Kiln in the 17th Century of Joseon Dynasty Manufacturing and Diffusion of Blue and White Porcelain in the Seventeenth Century of Joseon Dynasty A Study on the Influence of the Ming Dynasty from the Flower Arrangement Images of the Blue and White Porcelain in the Late Joseon Period White Porcelain with Phoenix Design Painted in Underglaze Cobalt-Blue: White Ware, Illustrated Manual, and Bunwon in Late Joseon Dynasty Blue and White Porcelain and the Fifteenth-Century World The Acceptance patterns and meanings of polygonal bottle of the Qing Dynasty seen in Joseon white porcelain in the 19th century A Comparative Study on the Patterns of Dragon Pattern Porcelain in the Qianlong and Guangxu Periods of the Qing Dynasty Production Implication of Joseon Technical Porcelain Focusing on the White Porcelain Water Dropper and the Siphoned Cup during the 19th Century Provenance of the cobalt pigment used for Jingdezhen minyao blue-and-white porcelain in the early Qing dynasty From Cizhou to Jizhou: The Long History of the Emergence of Blue and White Porcelain |