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A Comprehensive Study of the Lost Buddha Statues at Pogwangj흵n, the Main Hall of Hoeamsa
Youn-mi Kim
Korean J Art Hist. 2021;311:115-150.   Published online September 30, 2021
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The Adoption and Development of the Gu셲 Embroidery in Late-Joseon embroidery
sujeang Yang
Korean J Art Hist. 2021;311:45-86.   Published online September 30, 2021
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A Comparative Study on the Appreciation and Adoption of Dijian tushuo in China, Korea, Japan, and France
Ji-young Park
Korean J Art Hist. 2021;311:5-43.   Published online September 30, 2021
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Su Shi(삀邕, 1037-1101)셲 Painting Theory and the Art History of Modern China
Soojin Jung
Korean J Art Hist. 2021;309:179-208.   Published online March 31, 2021
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The Significance of Shen Nanpin셲 Paintings over the Course of Japanese Nanga during the Eighteenth Century
Janghoon Lee
Korean J Art Hist. 2020;308:173-206.   Published online December 31, 2020
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The Eighty-four-leaf Album of the Shakyamuni Buddha in Chongshansi, Shanxi Province, China
Hadam Jung
Korean J Art Hist. 2020;307:113-152.   Published online September 30, 2020
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Picturing the Divine Agents of Food Bestowal: The Seven Buddhas in the Sweet-Dew Painting of the Chos흵n Period,1392-1910
Taylor Pak
Korean J Art Hist. 2020;307:5-33.   Published online September 30, 2020
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Poetic sentiment, painting셲 intention and amusement esprit of Cho H큼iryong셲 literature
Ik-Cheol Shin
Korean J Art Hist. 2020;306:39-68.   Published online June 30, 2020
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Painting of Woven Paper: Marriage of Painting and Weaving
Su-Yeon Kim
Korean J Art Hist. 2020;306:5-38.   Published online June 30, 2020
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Significance and Function of Jo Huiryong셲 Painting in Exile to Imja Island
Myunghee Son
Korean J Art Hist. 2020;305:79-107.   Published online March 31, 2020
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