김울림, 「18·19세기 동아시아의 蘇東坡像 연구: 淸朝 고증학과 관련을 중심으로」, 홍익대학교 미술사학과 박사학위논문, 2018.
수전 부시, 김기주 역, 『중국의 문인화-소식에서 동기창까지』,학연문화사, 2008.
안영길, 「송대 사회의 문학화 경향과 소동파의 시서화이론」, 『중국어문학』 11,1986.
劉婉明, 「民族國家思想的譯介與創造社作家的民族國家意識」, 『아시아연구』 20, 2014.
이보연, 「류하이쑤(劉海粟)와 1920년대 순수미술운동」, 『미술사논단』 31, 2010.
__, 「중화민국 전기 미술정책과 미술학교의 대응 발전(1912-1928)」, 『미술사논단』 42, 2016.
정세진, 「東坡同生日 富岡鐵霽의 崇蘇 활동과 그 의미」, 『중어중문학』 65, 2016.9.
정수진, 「텅구(滕固, 1901-1941)의 중국미술사 연구」, 서울대학교 미술사학과 박사학위논문, 2020.
__, 「「문인화의 가치(文人畵之價値)」: 천스쩡(陳師曾)의 문인화론」, 『미술사와 시각문화』 21, 2018.
정혜린, 「북송대 문인화-사대부 문화의 시각화-소식의 논의를 중심으로」, 『인문과학』 112, 2018.4.
최선호, 「蘇東坡의 文人畵論考」, 『美術敎育論叢』 3, 1993.
卿三祥, 「蘇軾畵目滙錄」, 『文献』, 1994.1.
権藤愛順, 「明治期における感情移入美学の受容と展開-新自然主義から象徴主義まで」, 『日本研究』 43, 2011.
內藤湖南, 『支那論』, 東京: 文會堂書店, 1914.
屠友祥, 『東坡題跋校注』, 上海: 上海遠東出版社, 2011.
童書業, 「宋代畫論中所表現的宋畵特色」, 『童書業繪畵史論集(上)』, 北京: 中華書局, 2008.
__, 「王維的畵格和他在唐宋時的地位」, 『童書業繪畵史論集(上)』, 北京: 中華書局, 2008.
滕固, 「藝術批評家蘇東坡」, 畢斐 編, 『墨戱』, 北京: 常務印書館, 2017.
__, 「氣韻生動略辯」, 彭萊 編, 『滕固論藝』, 上海: 上海書畫出版社, 2012.
潘天壽, 『中國繪畵史』, 北京: 團結出版社, 2005.
柏木知子, 「富岡鉄斎の見た赤壁会」, 『書論』 39, 2013.8.
卞東波, 「漢詩, 雅集與漢文化圈的餘運-1922年東亞三次赤壁會考論」, 『文學史硏究』 47, 2019.1.
謝術福·金鍾斗, 「論中國文人畵的筆墨精神與時代危機」, 『中國學』 48, 2014.8.
蘇軾, 『東坡題跋』, 浙江: 人民美術出版社, 2008.
沈寧, 「我記起你的一雙眼」, 『博覽群書』, 2011.1.
王文誥輯注,『蘇軾詩集』 5,北京:中華書局, 1982.
王亦旻, 「開卷如親書興豪—乾隆皇帝對蘇軾書法的臨學」, 『故宫博物院院刊』, 2020.10.
汪俊明·汪维寅, 「柳敬亭的英雄情結與設書藝術淺析」, 『曲藝』, 2011.12.
李雪濤,「有關滕固博士論文的幾份原始文献(中)」, 『美術研究』, 2017.4.
李運亨 外 編, 『陳師曾畫論』, 北京: 中國書店, 2008.
韋昊昱, 「同南賢聚-滕固早年藝文思想再探」, 『中國美術』, 2019.2.
衣若芬, 「時間·物質·記憶-淸代壽蘇會之文化圖景」, 『長江學術』 52, 2016.4.
伊勢專一郞, 『支那の絵画』, 京都; 東京: 內外出版社, 1922.
長尾正和, 「寿蘇会と赤壁会-上」, 『墨美』 252,1975.7.
__, 「寿蘇会と赤壁会-下」, 『墨美』 253,1975.8.
張莉, 「淸代壽蘇會硏究」, 南京大學 碩士學位論文, 2014.
錢超, 「“宋詩運動” 與蘇軾書法在晚清的接受」, 『書法賞評』, 2012.5.
鄭午昌, 『中國畫學全史』, 上海: 中華書局, 1929.
曹鐵錚·曹鐵娃, 「論民國時期美術史學研究中的 “日本影响”」, 『藝術百家』 104, 2008.
焦寶, 「論晩晴民國報刊詩詞中的東坡生日雅集」, 『社會科學硏究』, 2016.4.
彭建華, 「現代中國的蘭波評述」, 『阜陽師範學院學報(社會科學版)』 159, 2014.3.
Bachhofer, Ludwig. A Short History of Chinese Art, London: B. T. BAtsford, Ltd., 1946.
Elkins, James. “Art Criticism”, In Jane Turner ed..Grove Dictionary of Art, London: Oxford University Press, 1996.
Ku Teng, “Zur Bedeutung der Südschule in der chinesischen Landschaftsmalerei”, Ostasiatische Zeitschrift Neue Folge 7, 1931,.
__, “Tuschespiele,”Ostasiatische Zeitschrift Neue Folge 8, 1932.
__, “Su Tung P’o als Kunstkritiker”,Ostasiatische Zeitschrift Neue Folge 8 1932.
An, Yŏngkil (Ahn, Yeonggil). “Songdae sahoeŭi munhak'wa kyŏnghyanggwa Sodongp'aŭi shisŏhwairon [Literary Tendency of Chinese Painting and Su Shi's Theory of Arts]”,Chunggugŏmunhak 11, 1986.
Bush, Susan, trans. by Kim, Kichu (Kim Giju). Chunggugŭi muninhwa-Soshigesŏ Tonggich'angkkaji [Chinese Literati Painting-from Su Shi to Dong Qichang], Seoul: Hakyŏnmunhwasa, 2008.
Ch'oe, Sŏnho (Choi, Sunho). “Sodongp'aŭi muninhwa non'go [Su Shi’s Literati Painting Theory]”, Misulgyoyung nonch'ong 3, 1993.
Chŏng, Herin (Jung, Herin). “Puksongdae muninhwa-sadaebu munhwaŭi shigak'wa-Soshigŭi nonŭirŭl chungshimŭro [Reinforcement of Individual-self and the Rise of Literati-painters in the Song Dynasty]”, Inmun'gwahak 112, 2018.
Chŏng, Sechin (Jung, Sejin). “Tongp'adongsaengil Tomiok'a T'esaiŭi sungso hwaltonggwa kŭ ŭimi[Su-Shi Worshipping Activities and its Meanings by Tomioka Tessai Who Had the Same Birthday as Su-Shi].” Chungŏjungmunhak 65, 2016.
Chŏng, Suchin (Jung, Soojin). “ “Muninhwaŭi kach’i”: Chen Shizengŭi Muninhwaron [“The Value of Literati Painting”: Chen Shizeng’s Theory of Literati Painting]”,Misulsawa shigangmunhwa 21, 2018.
__. “T'ŏnggu (1901-1941)ŭi chunggungmisulsa yŏn'gu [A Study of Teng Gu’s Art Historical Research]”, Ph. D. Dissertation, Seoul National University, 2020.
I, Poyŏn (Yi, Boyoun). “Ryuhaissuwa 1920nyŏndae sunsumisurundong [Liu Hai-su and Fine Arts Movement in Early Republic of China]”,Misulsa,nondan 31, 2010.
__. “Chunghwamin'gung chŏn'gi misulchŏngch'aekkwa misurhakkyoŭi taeŭng palchŏn (1912-1928) [Art Policy and Corresponding Development of Art Schools During the Early Republic of China (1912-1928)]”, Misulsa nondan 42, 2016.
Kim, Ulrim (Kim, Woolim). “18 ·19segi tongashiaŭi Sodongp'asang yŏn'gu [A Study of Kaozheng Movement and Images of Su Shi in 18th and 19th Century East Asia]”, Ph. D. dissertation, Hongik University, 2018.
Lyu, Wanming (Liu, Wanming). “Minjokkukka sasangjŏk yŏkkae yŏ ch'angjosa jakkajŏng minjokkukkaŭishik [Translation of Nation-State Ideology and the Chuangzao-she Writer's Sense of Nation]”, Ashiayŏn’gu 20, 2014.
Bian, Dongbo. “Hanshi, yaji yu hanwenhuaquan de yuyun-1922nian dongya sanci chibihui kaolun [Sinographic Poetry, Elegant Gathering, and Last Charm of Sinographic Sphere-Examination of Three Chibi Gaterings held in of East Asian in 1922]”,Wenxueshi yanjiu 47, 2019.
Cao, Tiezheng, and Cao, Tiewa. “Lun minguo shiqi meishushixue zhong de ‘reben yingxiang’ [About Japanese Influence in Art Historiography of Republican Period]”, Yishubaijia 104, 2008.
Jiao, Bao. “Lun wanqing minguo baokan shici zhong de Dongpo shengri yaji [About Dongpo’s Birthday Gatherings in Periodicals of Late Qing and Republican Period]”, Shehuikexue yanjiul, 2016. 4.
Li, Xuetao. “Youguan Teng Gu bboshi Lunwen de Jifen Yuanshi Wenxian(zhong) [Several Original Texts on Teng Gu’s Ph. D. Dissertation]”,Meishu Yanjiu, 2017. 4.
Li, Yunheng, et al.Chen Shizeng hualun [Painting theory of Chen Shizeng], Beijing: Zhongguo shudian, 2008.
Pan, Tianshou. Zhongguo huihuashe [A History of Chinese Painting], Beijing: Tuanjie chubanshe, 2005.
Peng, Jianhua. “Xiandai zhongguo de lanbo pingshu [Evaluation of Rimbaud and His Poems in Modern China]”, Fuyang shifanxueyuan xuebao 159, 2014.
Qian, Chao. “ ‘Songshi Yundong’ yu Su Shi shufa zai wanqing de jieshou [‘Song Poetry Movement’ and the Acceptance of Su Shi’s Calligraphy in Late Qing Dynasty]”, Shufashangping, 2012. 5.
Qing, Sanxiang. “Sushi huamu huilu [A List of Su Shi’s Painting]”,Wenxian, 1994. 1.
Su, Shi.Dong Po tiba [Inscriptions of Dongpo], Zhejiang: Renmin meishu chubanshe, 2008.
Shen, Ning. “Wo jiqi ni de yi shuang yan [Your Eyes Which I Remember]”, Bolanqunshu, 2011. 1.
Teng, Gu. “Yishu pipingjia Su Dongpo [Art Critic Su Dongpo]”, edited by Bi Fei, Moxi, Beijing: Changwuinshuguan, 2017.
__. “Qiyunshengdong lüèbian [Explanation on Elegance and Vividness of Painting]”, edited by Peng Lai,Teng Gu Lun Yi, Shanghai: Shanghai shuhua chubanshe, 2012.
Tong, Shuyu. “Songdai hualun zhong suo biaoxian de songhua tese [The Characteristics of Song Painting in the Theory of Painting in Song Dynasty]”, Tong Suye Huihuashe Lunji(Shang), Beijing: Zhonghua shuju, 2008.
__. “Wangwei de huage he ta zai Tang-Song shidai de diwei[Wang Wei's Painting Style and His Status in Tang and Song Dynasties]”,Tong Suye Huihuashe Lunji(Shang), Beijing: Zhonghua shuju, 2008.
Tu, Youxiang. Dongpo tiba xiaozhu [Notes on Dongpo’s Inscriptions], Shanghai: Shanghai yuandong hubanshe, 2011.
Wang, Wenhao. Su Shi Shiji [Poems of Su Shi] 5, Beijing: Zhinghua shuju, 1982.
Wang, Yimin. “Kaijuan ru qinshu xinghao: Qianlong huangdi dui Su Shi shufa de linxue [Pleasing and Enlightening: Emperor Qianlong’s Appreciation and Calligraphy Practice after Su Shi’s Works as the Model]”, Gugongbowuyuan yuankan, 2020. 10.
Wei, Haoyu. “Tongnanxianju-Teng Gu zaonian yiwen sixiang zaitan [Tongnan Gathering-Second Investigation on Teng Gu’s Early Literary Works]”, Zhongguomeishu, (February, 2019).
Xie, Shufu, and Jin, Zhongdou. “Lun zhongguo wenrenhua de bimo jingshen yu shidai weiji [Discussion with Pen and Ink Spirit and Periodical Crisis of Chinese Painting in the Literary Artist′s Style]”, Zhongguoxue 48, 2014.
Yi, Ruofen. “Shijian · wuzhi · jiyi-qingdao shousuhui zhi wenhua tujing [Time · Material · Memory-Cultural Scenery of Shousuhui in Qing Dynasty]”,Changjiang xueshu 52, 2016.
Zhang, Li. “Qingdai shousuhui yanjiu[A Study of Shousu Gathering of Qing Dynasty].” Nanjing University, MA thesis, 2014.
Zheng, Wuchang. Zhongguo huaxue quanshi [History of Chinese Painting], Shanghai: Zhonghua shuju, 1929.
Gondō, Aijun. “Meijiki niokeru kanjōinyūbigaku no juyō to tenkai - shinshizenshugi kara shōchōshugi made [The Reception and Development of Empathy in the Meiji Period: from “New Naturalism” to Symbolism]”, Nipponkenkyū 43, 2011.
Ise, Senichiro. Shina no kaiga [Chinese Paintings], Kyoto; Tokyo: Naigai shupansha, 1922.
Kashiwagi, Tomoko. “Tomioka Tessai no mita akakabe-kai [Akakabe-kai as seen by Tomioka Tessai]”, Shoron 39, 2013.
Nagao, Masakazu. “Kotobuki sokai to akakabekai-jō [Shousu Gathering and Chibi Gathering 1]”, Bokubi 252, 1975.
__. “Kotobuki sokai to akakabekai-jō [Shousu Gathering and Chibi Gathering 2]”, Bokubi 253, 1975.
Naito, Konan. Shinaron [Sinology]. Tokyo: Bunkaido Shoten, 1914.
Bachhofer, Ludwig. A Short History of Chinese Art, London: B. T. BAtsford, Ltd., 1946.
Elkins, James. “Art Criticism”, In Jane Turner ed..Grove Dictionary of Art, London: Oxford University Press, 1996.
Ku Teng, “Zur Bedeutung der Südschule in der chinesischen Landschaftsmalerei”, Ostasiatische Zeitschrift Neue Folge 7, 1931,.
__, “Tuschespiele,”Ostasiatische Zeitschrift Neue Folge 8, 1932.
__, “Su Tung P’o als Kunstkritiker”,Ostasiatische Zeitschrift Neue Folge 8 1932.